Written by Valeria Valesca

Ever felt like you have an itch to scratch and want to hear a new sound? Ever thought you would be interested in hearing a psychedelic jazz-rock fusion? Introducing the Mind Goblins as they will be preforming at the Rock Band University this Friday!

Miguel on drums, Dewey on bass, and Alejandro on guitar share an unwavering passion for music, embracing each other's unique playing styles. What began as a simple idea blossomed into a harmonious reality as they discovered the seamless synergy between them, even amidst spontaneous improvisation. Their trio jam sessions unfold organically, each musician building upon the other's contributions, crafting vibrant new tunes in the moment. The Goblins said:

“We also bring a lot of our own unique sounds and like the three of us are very down to just roll with whatever the others are putting out there.”

The Mind Goblins draw inspiration from a rich tapestry of jazz-influenced musicians, including iconic figures such as Jimi Hendrix, Haruomi Hosono, and the legendary JDilla. Their music is a fusion of these diverse influences, reflecting a deep appreciation for the innovative sounds of the past.

For those curious about the lore of the Mind Goblins, their journey began under a different name: 'Girth Quake.' Initially performing locally under this name, they eventually opted for a change, feeling that 'Mind Goblins' resonated more deeply with their artistic identity. They share:

“I like that slightly chaotic energy that comes out with the name... we want to be tight and put together, but also get weird with it, you know?”

When asked about what the audience should expect, the Mind Goblins emphasized their main goal: to get people on the dance floor ready to groove. They said:

“Expect something snappy and danceable...I hope people are in there ready, willing and able to dance. I want it to groove for sure.”

If you're intrigued by their sound and enjoy their music, feel free to check out their Instagram for updates @mind_goblin_jpg. The Mind Goblins leave us with a final quote, urging people to keep an eye out for them as they begin playing at local establishments in Davis.

Written by Valeria Velasco

This Friday, DRC will be launching its first event of the year, featuring none other than the multi-talented DJ and rapper, Coties! For those unacquainted, Coties, hailing from San Diego, has firmly established his roots right here in Cow Town.

Coties seamlessly transitioned from rapping to delving deeper into DJing, aiming to elevate his platform for himself and his friends. Leading a double life, by day he's a senior on the brink of graduating from UC Davis, while by night he transforms into the dynamic force enhancing the sound of Davis. With his music and energy, he electrifies every venue he touches.

Coties has passionately expressed his deep immersion in the culture that music embodies, both through his tracks and in this interview. What truly sets him apart from other emerging artists is his profound respect for the historical background of the music he embraces.

“I grew up listening to R&B, Rock, and much more..... in San Diego there is so much variety when it comes to the culture within the music.”

Like any good artist, Coties has learned how to take what he has learned about some of the challenges when it came to his music. He mentioned that he struggled with trying to get out of a headspace that made him second guess the music he would produce. Coties shared:

“Im not from here, and I’m so used to a particular sound. I needed to get out of that mindset when I thought that no one else really listens to that particular sound I was comfortable with.”

He discovered the ability to expand upon his diverse musical interests, all the while staying true to his originality as an artist, even as he reached out to new audiences.

“I feel like because I had to do that, its made me become a better artist and even develop a higer appreciation towards live instruments.”

Similar to the same motivation as Davis Rave Co., Coties has established a radio station called Waltz Radio. Coties started this platform to bring in a new upcoming artist who has a passion for getting their music and art out to the public. They will be hosting an event the day after Jazz Night (February 3rd). If would like to know more about this event, check out their Instagram @waltzradio to get more details.

This past year, Coties has been featured on multiple albums. From 24/7 Ridah with Reach Justice, to Madigan Park with loVis. However, Coties has embraced this new year by making it about dropping singles and his own personal set ready to be debuted on February 8th. Follow @ccoties on Instagram to stay updated on all things Coties.

For those familiar with Coties' signature sound, he usually blends house music with elements of hip-hop and R&B. However, he's prepared something special for this upcoming Friday night—a fusion of Brazilian funk with a solid jazz foundation. In Coties' own words, it's going to be "Fire, Lit, [and] Coties did it." Join us at Rock Band University at 8 pm and get ready to groove the night away with Coties' unique beats. See you there!

Written by: Valeria Velasco

On November 17, the year's final Davis Rave Co. event was slated to occur outdoors at the Davis Tri Co-Ops. Yet, an unforeseen meteorological calamity swiftly jeopardized the Farmers Only event. Despite the unexpected challenge, the event's remarkable resurgence astonished artists and attendees, showcasing the organization's adeptness in navigating a sudden twist of fate.

Davis Rave Co., or DRC, is a local organization that has been helping foster the blooming nightlife of Davis for the past two years. It was founded by Caden Velasquez, who started the organization after realizing his potential in trying out his passions and wanting to support other people like him.

What commenced as a modest Instagram account dedicated to showcasing local events transformed into a sophisticated enterprise. Renowned for introducing local artists and musicians, this initiative has played a pivotal role in fostering a tightly-knit community united by the transformative power of music.

Farmer’s Only was initially meant to be an outdoor event, with the event's first location being the Davis Tri-Coops, which had to be replaced quickly with another location as unexpected weather began to brew. If the DRC couldn’t find another location to hold Farmers Only, they would have no choice but to cancel the event.

“I don't ever want to plan an event where I am directing someone's creative talent in a way that is not natural for them, and the rain was going to interfere with that,” says Velasquez when asked about the predicament. “I also don’t want to affect the quality of the event; it isn't what we stand for.”

Luckily, DRC found a new venue within a matter of days as they announced the event was being relocated to RockBand University in South Davis, where anyone can book music lessons and bring their skills to the next level.

Farmers Only, orchestrated by DRC, featured a lineup of homegrown talents, with headlining performances by artists such as America Love, The Moondrops, Cowboys After Dark, and Rainbow City Park. The event also provided a platform for vendors to showcase and sell their creations to eager attendees and passersby.

A local tattoo artist who goes by Asoftperson, pops up at Davis Rave Co. events and provides flash tattoo sales and stickers. “This has been my 4th time being a vendor for the Davis Rave Co. It’s a fun time to meet all the students I go to Davis with.”

Asoftperson emphasizes the importance of vendors at these events, “It’s a great way to get exposure to the people of Davis and get my name out there. Otherwise, I would be heavily dependent on advertising on social media. It would have made it hard.”

Alyssa Kim, a 3rd year UC Davis student, shares her new experience, “I got my first tattoo at my first Davis Rave Co. event! This was very last minute, and my roommate texted me about the flash tattoos and thought I should get one!”

Chloe Wang is a 4th-year UC Davis student who is a local artist that sells her own crafted cow paraphernalia and is also an ambassador for the brand Guayakí Yerba Mate. “As someone who oversees all ambassadors, it’s a great way to have people try our product for free, and they can see if they like it. It also allows Guyaki to give back to the community while getting attention and exposing themselves to new people.”

With the weather troubles avoided and the event finally underway, the venue quickly filled with music and people. The crowd responded as the different bands performed; from swaying phone flashlights to headbanging, it felt like the infectious energy couldn't be contained.

America Love is an upcoming sibling duo from Sacramento with her brother, Angelo. The duo made their debut performance at Farmers Only, “I do it for the feeling, and I just want people to feel something.” Love’s expectations for tonight were low; she wanted to see what would happen. “The whole setup was perfect, and I loved it… DRC helped me chase that feeling; it gives me the freedom to do what I love most.”

Originating in the East Bay, The MoonDrops focus their sound on alternative rock and indie pop inspired by the '90s and early 2000s. The Moondrops mentioned: “Some of the most poppin' shows have been with Davis Rave Co. …We’ve performed at other places, but it never compares to Davis Rave Co. events.”

The band had initially harbored uncertain expectations as one member recounted a disheartening text indicating the cancellation due to anticipated rain. However, a sigh of relief swept over them upon learning that they would indeed have the opportunity to play for the last time this year. They expressed, "The fact that this came together at the last minute is wild... They had the tattoo flashes, the Yerba Mates on deck, and the cool lights inside. It exceeded our expectations in more ways than we could have imagined."

The night's final act is the Norcal band Rainbow City Park, which has been performing for almost two years, ending their last show of the year here in Davis, CA. They have a setlist filled with Alternative Pop/rock and a new genre on the rise, Bubble Grunge. It is considered a more “poppier” or “bubblegum” version of the grudge genre.

First impressions are crucial to stabilizing a new relationship, and here is what Rainbow City Park said when asked about their first impressions on DRC.“It was our first time performing, and The Moondrops recommendation made us more open to the idea. We didn't know what to expect. We know that [DRC] has a great reputation; they started bringing all the production and lights.”

Lead singer Danielle Judith mentioned “their ability to be super flexible because it's raining tonight. We were supposed to have an outdoor show, so we could swing it and switch the location, and everybody was still in. I’m thrilled to be here.”

My final thoughts from Rainbow City Park were, “It's nice to see a complete production, the cool lights, the music, the vendors, the drinks. It came down nicely and together. It feels very professionally done.”

A standout element that caught the attention of many attendees was the exceptional lighting production. Adam, also known as DJ AtomO.N.E, spearheads this task and serves as the head of the light output for DRC's events. Recognizing the transformative power of lighting, Adam emphasizes, "Lights can completely change the setting for the stage." With an impressive 24 years of experience as a DJ, Adam brings his unique production expertise to enhance the visual experience. He said, "I see the drive and eclectic vision in the DRC."

DRC relies on exposure through social media and word of mouth. Alex Burley, a 3rd year UC Davis student, said: “My coworker invited me to this event. I didn't think much of it, but I enjoyed my time here… the free drinks, the sound, and the environment.”

Kacey Kimoto, a 3rd UC Davis student, said, “I enjoyed the event, having it been my first time. I would have loved a bit more vendors and maybe some food options. Some things could be improved and safer for those trying to enter.”

Sal, a Davis local, mentioned that he has been to other DRC events, yet this event was one of the most diverse events he has seen. “I like the clashing of genres; it brings new music and tastes. As long as you create something new, it's pretty cool.”

Despite the varied feedback from audience members, the event exhibited resilience and success as it overcame unexpected disturbances. Impressively, both performers and attendees have shared positive reviews, underscoring the overall triumph of the event despite its unforeseen challenges.

Caden Velasquez, also known as DJ Mellax, initiated this organization while pursuing his passions. He plans on working on his business rather than in his company. “It started as an Instagram account on a random Tuesday, and once I started involving myself more, I realized I could make this into something so much more.”

One of the organization's critical visions is strengthening community ties, partly achieved through the YouTube podcast "The Green Room." This podcast features local artists affiliated with DRC, fostering a sense of community and showcasing the organization's commitment to openness and inclusivity—a testament to DRC's dedication to reaching a diverse audience.

Due to the stigma associated with the word “Rave,” it is typically seen as chaotic, irresponsible, and uncontrollable. “Imagine a college student trying to book a venue to throw a big party essentially with the business that has the name rave in it. It was challenging, and owners were skeptical of letting us rent out.”

Velasquez mentioned how proud he is of the explosive growth of the Davis Rave Co. but acknowledged some potential hurdles that he would face.“The name itself has given us some issues, [but] I still don't plan on changing it.”

Despite the challenges, Velasquez mentions the gratifying feeling of proving them wrong, recalling a phone call they received. “They called me saying, Caden, you have exceeded my expectations, the quality of the event, how you cleaned up, the organization you had, and we would love to have you back. It's great that someone so hesitant to work with us is asking us to return. It’s gratifying.”

When discussing the future, Velasquez mentioned how he wished to expand the company, investing in it full-time now that he has graduated. “We are at a crossroads between remaining local or figuring out how to scale bigger.” Velasquez said, ”Trying to expand into something bigger, potentially state-wide, globally even. The sky is the limit.”

Plans are already in motion for expansion as they choose to grow locally by thinking of future steps and allowing for an innovative sanctuary here in downtown Davis. Velasquez said, “I’m currently trying to find a physical space where people can come in and learn and nurture their passions… A creative space, if you will, where people can learn how to DJ, photograph, even try mixed media art.”

The future for the Davis Rave Co. is bright and backed by numerous people. “It takes a whole village, and I can not take all the credit. I am very grateful for my team and how they help me cultivate these visions and make it happen.”

The Davis Rave Co. defies stereotypes and breaks barriers, helping unite the community and give local artists and vendors a platform. This foundation's impact is more than just local; it has slowly become an intricate part of people's lives.

Written by Isabella Rogers

Walk up to any light post, billboard, or electrical box in Davis, California and you will be met with a hand-drawn flier promoting the newest local show with a lineup of musicians you’ve probably never heard of. “DM for address” scribbled at the bottom, following an Instagram handle.

Davis has been a hub of arts and culture since it was established in the early 1900s. Several successful musicians have had the opportunity to perform in Davis, some notable faces being Green Day (several times) in the 90’s, Jason Mraz in 2008, even Steve Aoki in 2012. However, since the condemnation of Freeborn Hall in 2018, and COVID-19 closing down many businesses between 2019-2021, Davis no longer has spaces to support artists, specifically local musicians.

From artist to promoter to general public, the overarching consensus is that bureaucracy stands in the way of many of Davis’ indoor venues. Due to the lack of accessible venues for local musicians to play at, many eager concertgoers have begun volunteering their backyard spaces as a place for these artists to share their music with a crowd. These “house shows” are the easiest outlet for both musician and event coordinator to avoid the heavy yellow tape of alternative venues in Davis.

KDVS 90.3FM, the non-profit freeform radio station on the UC Davis campus, is one of the biggest proponents for cultivating the independent music scene in Davis. They often host house shows of their own as well as frequently promote new musicians on air.

KDVS’ Events Co-Coordinator and UC Davis International Relations student, Ani Bagmanian, heavily attributes the success of the shows to the community. When it comes to planning out each show, it often “starts with an idea and a dream or two.” That is when KDVS volunteers and other community members begin offering supplies and donations. Someone has

a large backyard they can use; another person can bring large floodlights to mitigate Davis’ notorious dark nights – these events are nothing short of a labor of love.

“You never really know how it’s gonna turn out,” said Scala Reyes, Co-Coordinator of KDVS events and UC Davis Political Science and Sociology student. The goal is “We [KDVS] want to curate safe spaces for people to come together and enjoy music.”

Bagmanian and Reyes were not shy about listing the potential venues that could be open to independent musicians. But they were also quick to list the reasons why they don’t work out.

“There are these on campus places that host these music events, but they’re inaccessible to students and student orgs,” Bagmanian said. The Mondavi Center is popular for shows on the UC Davis campus; however, rates to rent out the building for events for non-campus organizations start at $2100 a day and require several layers of paperwork and permits.

The Independent Order of the Odd Fellows is a popular venue for shows of the Davis Live Music Collective, but you need to be a member to rent out the building. Bar shows are the next best option, with G Street WunderBar being right downtown. But if you’re an 18–20-year-old college student, age requirements can be incredibly frustrating.

Bagmanian and Reyes are often directed to the Veterans Memorial Theatre, which is off of E and 14th in Central Davis. However, the 300 seats in the venue are bolted in place, and basic live show etiquette is that nobody sits at a concert. Plus, it’s $139 an hour to rent for community groups, which can be unaffordable for performers that only charge $5-10 for tickets.

KDVS prides themselves on maintaining accessibility for their events. NOTAFLOF, which stands for “No one turned away for lack of funds,” is stamped onto all KDVS fliers. However, with that added accessibility, Bagmanian estimates that less than 10% of funds go back to the station. “We are praying that we make enough money for the show to... pay these bands.”

It isn’t like artists don’t want to play, in fact that is the opposite of the problem. Rainbow City Park (RCP) has played up and down California over the years, with 8 shows in Davis in 2023 at various house shows and UCD festivals.

This 5-piece indie rock band consists of Dani Blankenship (singer, guitar, keyboard), Nick Nassab (guitar, vocals), Chris O’Keefe (guitar), Dwight Struthers (bass), and Ryan Williams (drums, guitar). They formed a group in 2022 with their namesake being a well-known community park in Central Davis, since Blankenship and O’Keefe are locals.

Nassab quips, Davis is “The only city that’ll have us.” Struthers added, “The vibe of Davis shows is just really cool too..Everyone is just very receptive. They’re here to listen to music and it’s a warm welcome every time.”

Another prominent figure in revitalizing the Davis music scene is Caden Velasquez, also known by his stage name, DJ Mellax. He founded Davis Rave Co in 2022, a company that organizes music events and showcases local artists.

He said that age discrimination and false assumptions are the biggest obstacles that stand in the way of coordinating events. Being a 22-year-old college student, approaching Jeff Simons – owner of Watermelon Music – with an idea to host a small show in his venue was met with hesitation and apprehension. After Velasquez defended his company with a detailed résumé of his past shows, Simons agreed to rent out the venue. Velasquez said that Simons seemed “surprised” when the show was a success and there wasn’t garbage left strewn about or lingering smells of weed in the venue (failure to properly clean up after shows was a common issue when it came to events organized by a younger crowd).

Other well-known venues in Davis include Rock Band University and Delta of Venus. However, hosting bands aren’t these venue’s day jobs. Rock Band University holds instrument lessons for local youths during the day. Delta of Venus is a coffeehouse and popular downtown brunch spot during the day, and is a music venue after dark. Both venue owners were unavailable for comment.

Unfortunately, as Bagmanian mentions, unless you are catering specifically to the “vibes” of the venue and all the expenses and paperwork that come with it, the venues become inaccessible. “In an ideal world we’ll have venues that we can just pick and choose from,” she said.

No venues mean no live music, in turn leaving many community members to take matters into their own hands, which prompted Joel Daniel, local musician, to propose a $5,000

grant to the City of Davis with intent to cultivate Davis to its fullest creative potential. The allocation of this grant led Daniel to start the Davis Independent Music Initiative (DIMI). This initiative awards one local musician each year with a grant of up to $10,000 that they can put towards both personal and artistic expenses. DIMI also tries to fund local shows when they can, such as the brief stint of summer shows at Sophia’s Thai Kitchen this year.

Most musicians would love to dedicate their full-time to their craft, but it is difficult to support yourself on that alone. This is why Daniel believes the monetary support will go miles in incentivizing musicians to stay local and continue performing within the community. Daniel himself, planning on releasing a new album next year because of the funding. Daniel and Velasquez share similar sentiments, Velasquez saying, “We [Davis Rave Co.] believe that by investing in our local talent, we can help to create a vibrant and thriving cultural scene in our community.”

Even with the troubles and tribulations, all interviewees from the local music scene describe themselves with two words: grateful and lucky. So, if you ever end up in Davis, look to the nearest staple-filled power pole. You are bound to see at least four fliers with upcoming shows. Who knows? You might just discover your new favorite artist and a community that would love to have you.